Time does not exist; there is only the relationship between variables. The artist began to investigate the depths of time, looking for a form that could express its contemporary meaning, with a plurality of content but only one absolute term. In this search he found answers in the world of video art, and in particular digital art, managing to show us in a unique way, with the universal language of images, the current meaning of time. The time of each object can be defined as a closed circle, a loop, and the only thing that remains possible is to describe how the times of each entity intersect when they meet. The Infinity project investigates this path and seeks to use visual art, video art in particular, to show us, as only art and artists can, what our eyes cannot see. Our lives are made up of movements and actions, sometimes imperceptible and sometimes striking, and our time is filled with these actions. Human Evolution is part of this journey and shows us a constant eternal human evolution toward an unknown future but always traversing a world divided between new and old, right and wrong, good and evil.

Born in Milan in 1981, he worked for several years in the world of communication and marketing in international corporations arriving in Rome in 2004 where he founded and managed a digital communication agency. In these years he studied photography with international master photographers. In the early stage of his journey he exhibited his works in Rome at the Museo di Roma in Trastevere with an important project on Jerusalem. In 2010 he was among the top three finalists of the prestigious National Geographic competition.

In 2016, he began his "Photomateric" journey with the first project "Fino alla Fine Del Mare" dedicated to the theme of migration with the subject the boats of the island of Lampedusa, exhibiting in various museums, galleries and international fairs.

In 2017 he exhibited during the Venice Art Biennale at the Accorsi Gallery and subsequently ours was hosted on Pier Paolo Pasolini's boat, Edipo Re, at the Venice Arsenale. The works have been selected as a prize for great artists such as Dacia Maraini, Vasco Rossi, Frederick Wiseman.

In 2019 he developed his second “Photomateric” project " dedicated to the terrible earthquake of Amatrice, "Il Rumore dell'Assenza" where the devastating images are imprinted on crumpled paper, symbol of human fragility. In 2020 the third "Mi-Ro" Milan-Rome project dedicated to the theme of commuting through direct printing on the windows of trains built for the exhibition itinerary. Since 2017 he has been developing the "Italian Summer" project, aimed at the social narrative of Italianness on holiday through an unusual point of view, i.e. through the use of a drone. His photographs are currently present in various galleries in Italy and abroad and are part of important private collections.

Jacopo Di Cera Private Art Collection